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Cake day: July 19th, 2025

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  • To hang out together intentionally, outside of work, more than once. If you no longer ever want to hang out, they’re probably not friends anymore.

    I have a few coworkers I’m tempted to call friends. At the very least, we’re friendly. But I also know that once either of us leave the job, we probably won’t see each other anymore.

    In a more general sense, I call a lot of people “friend” without necessarily considering us friends. Mostly strangers and customers, and it’s meant in a disarming way, like “Sorry friend, we’re sold out.”

    I’m friendly with most people, but then to consider someone a friend feels like taking the relationship to a new level.







  • I have a hard time watching new movies and shows. I guess I usually look for a show to unwind with, and nostalgia is a pretty strong factor there.

    If I’m watching a new show with somebody because they want to see it, I’ll generally enjoy myself. But lately I find that I’m pretty quick to reject anything made after 2020 or so

    Another way I look at it is that there’s an awful lot of crap competing for my attention, and with the rise of gen-AI, writing for streaming, and other icky things, a lot of it really is crap. I’d rather watch the crap I already know I like



  • It’s interesting that the phrasing here is that the younger people shouldn’t be allowed to date the older people. The issue with this kind of age gap is the imbalance of power, and whether you realize it or not you’ve just placed the stigma at the feet of the person who’s most likely to be victimized.

    Anyway, banning this kind of thing doesn’t work. It happens at a scale that would likely be unenforceable, not to mention that rebellious people will do things because they’re banned

    A better approach to harm reduction is education. Meet people where they’re at without shame and explain the risks realistically. And even then, some people just won’t learn until experience teaches them

    At the end of the day, if your daughter wants to work out her daddy issues by getting railed by an older man, no amount of pearl clutching is going to prevent that



  • I’d argue that racism is a symptom of some of these other things.

    An imbalance of societal power leads to - or is caused by - manipulative politics. Those politics are increasingly being pushed through addictive technologies, and indeed, are using racism to divide us at the cost of democracy.

    Racism is a symptom, but understanding where it’s being pushed from has value. It’s like saying someone died of heart failure - just about everyone dies of heart failure, but it can be more useful to know what caused the heart to fail



  • Git is what’s known as “Version Control Software” which basically means that it keeps track of the changes you make.

    It’s primarily used for software development, and where it shines is when multiple people are collaborating on a project which will receive many changes. You can create a “branch” of the project with the changes you want to “commit” and then after they’re reviewed in a “pull request” you can “merge” them back inyo the main branch. If at any point in the process you discover that the changes cause issues, a history allows you to “revert” those changes back to what you had previously.

    As you can probably see, there’s a fair bit of terminology in git. It’s a powerful tool that has a learning curve in order to use it.

    While git is primarily used in software development, it doesn’t have to be. In fact, you could use it for any collection of files that receive changes. It’s not uncommon to see it used for technical writing , wikis, or large collaborative documents. I recall seeing a compelling argument that it could be used for drafting legislation, although I’m not aware of any government which uses it for that purpose.

    Some people argue about whether or not you should use git with non-text files because the changes are much larger, but you don’t have to rigidly follow dogma.

    I knew a guy who liked to use git for his RPG campaign notes. The main branch held his setting info, and when he’d run a game he’d create a new branch. If he was pleased with the game and wanted to enshrine it in canon, he’d merge it into main. Otherwise, he could leave the branch alone, but he’d still always be able to go back and look at the adventure with the details of the setting as it was at that time. I thought it was overkill, but he had fun.






  • I got back together with an old tabletop group recently.

    Five or six years ago we wrapped up the campaign we were running to take a little break. Scheduling became tricky, a couple of people were expecting their first child and some others were starting new jobs. Without a common meeting, the group just kind of faded out.

    Anyway, a couple months back I bump into one of the players and we start talking. Shortly after that, he starts up a new group chat trying to get the band back together.

    My mental health has been an absolute shitshow the last several years, so I really agonized over whether I wanted to try to get back together or embrace the solitude that I desperately crave for my free time. Well, I went against my initial judgment and it’s been awesome playing with likeminded people again.

    A couple of friends still can’t really make it, the schedule is too difficult with young kids. But we brought in a couple new players too and the funny thing is that even with new people it still feels like old times.


  • Credit where it’s due, around the time Dying Light 1 came out, Roger Craig Smith was lending his voice to Chris Redfield, one of the more iconic zombie guys from Resident Evil.

    My favorite Redfield moment was when, without a shred of irony, he talks smack about the villain acting like a comic book villain. Then in the same breath, he punches a six-ton boulder into submission.

    Dying Light also really kinda shook up the zombie slaying dynamic with parkour. It seems like a fairly minor thing now, but that freedom of movement was a pretty big deal at the time, even if it was pretty janky.

    Narratively, I agree that Crane isn’t a very strong character. He’s a dime-a-dozen government goon turned idealist. I don’t even remember how the story ends, or even most of the major beats except for a couple of major characters.

    But at the time, to kick zombie butt while scooting around the rooftops and listening to Chris Redfield quip one-liners: those were special times even if it was a decade ago. They’re probably trying to recapture that magic, but I don’t know. It was lightning in a bottle and you can’t always get that back