There is currently a very funny, kind of sad dust-up over Helldivers 2, in which self-proclaimed “anti-woke” gamers have previously heralded it as a rare game where they believe “politics” does not play a factor. Their faith was been shaken by an Arrowhead community manager they believed they found to be (gasp) progressive who was then subsequently harassed, but their head-scratching reading of Helldivers 2 as a “non-political” game is worth examining.
The only thing that makes sense is that these players have the shallowest of surface-level readings of the game. You are a patriotic soldier serving Super Earth. You must kill bugs and evil robots trying to hurt your brothers-in-arms and innocent citizens. There are no storylines to insert progressive causes into, everyone wears helmets so no “forced diversity.” Therefore, no politics.
Of course, this is…wildly off the mark, as Helldivers 2 is about the most blatantly obvious satire of militaristic fascism since the film that inspired it, Starship Troopers.
If conservatives had any media literacy, they wouldn’t be conservatives anymore.
This is why the humanities are important
Really? I’m fed up with one humanity. Can’t think I can handle any more. 🫠
These are the same people that thought the machine RATM was raging against was a refrigerator or something.
So, I think there’s something weird about the nature of the satire in Helldivers 2 that might lead to some problems.
I don’t feel like it’s that controversial to say that the game is pretty obviously ripping off Starship Troopers. Like to a point that goes way beyond mere homage. Now I don’t view this as an inherent problem, because I don’t believe IP should be a thing, but this fact, combined with the way they’ve adapted it into a game leads to some issues.
The game basically has all the aesthetic elements of the satire of Starship Troopers: The over the top patriotism, nationalism, militarism, the devaluing of the individual and life, etc. On it’s own, this is enough for people who have already become disillusioned with the US war machine to get what it’s saying. However, to someone who’s deep in the propaganda that America is a force for good in the world that is simply fighting evil enemies who hate freedom and democracy, there is no cognitive dissonance there. Of course we’re gonna be all patriotic about fighting against some big bad enemy that’s threatening us.
Not that people didn’t also misunderstand Starship Troopers, but a key difference it has in driving it’s point home is that moment at the end of the movie when they capture one of the bugs and learn it feels fear and then they all cheer. We see that no, the bugs aren’t some unthinking monsters bent on destroying us, they’re intelligent creatures and we’re the invaders, but the people are so indoctrinated at this point that this fact doesn’t even phase them.
Helldivers 2 doesn’t really have that anywhere within the main “text” of the game. Sure, you can read some lore and get a bit of that from some conversations with NPCs on the ship, but that’s not really how people interact with games, or at least a game like this. Most people are going to load into a lobby, pick a mission, maybe mess around with their loadout, then go jump into a game where the bugs ARE horrible unthinking monsters who represent an existential threat to humanity. In the ways the game lets you interact with it, there’s no option where you make peace with the bugs or come to understand the horror of what you’re doing. The bugs are just enemies and you have an assortment of guns and bombs to interact with them.
So since the mechanics of the game itself don’t really mesh well with the message of the satire, what it relies on is either a) You already having seen Starship Troopers or b) You already understanding imperialism, fascism, and recognizing those traits in America’s military culture.
It’s kind of a weird place for a piece of media to be when it’s message only makes sense in the context of another similar piece of media or when the player/reader/viewer already agrees with it’s message.
It’s not terribly surprising that it hasn’t had any success breaking through to the people who need their minds changed.
I want to make a movie so painfully obvious in its satire that everyone who understands it lives in perpetual psychological torment inflicted on them by all the people who don’t.
Brutal. He did it too, he did it.
But he still toned it down from the book…
The first chapter is them taking a village of anthropomorphic insects over. They didn’t have any soldiers, it was just a random village and there’s a part where a mother and infant are hiding in a closest, get blasted by a flamethrower, and as the soldier jetbacks away he just shoots rockets everywhere because they get in trouble if they return with any unused ammo.
Just completely blasie about genocide.
Trimming it down to just the one 100% bug race really made it easier to write them off as monsters. But makes sense for a movie.
I mean wasn’t the author of the book saying that’s how things should be run? I had always heard the movie was basically mocking the premise of the book.
Nah, dude was a Naval officer that became disillusioned and wrote Stranger in a Strange Land. Hippies called that one “The Hippy Bible” because, well it basically was.
Then there’s his modern retelling if Job.
Like, if you read the Lazarus Long novels, there’s gonna be some sexism and toxic masculinity, along with some libertarianism shit. But we’re talking late 60s/early 70s pulp SciFi. It would be like judging current media because there’s always sex scenes and huge explosions.
Its rarely there because the creators want it there, it’s there to sell the media.
Starship Troopers is basically about what he feared the military could easily become if it took over the government.
That was kind of Heinleins whole style, you enjoy a book all the the way thru, but by the end everything is completely different and almost unrecognizable from chapter 1.
Same thing happens with WH40k and GW has to put out memos telling Nazis to fuck off every few years.
Media literacy is apparently difficult
The satirical nature of Helldivers 2 is obvious, but in Starship Troopers the bugs flung a meteor at Earth which destroyed a major city and killed millions. I would argue that Starship Troopers has a bit more of a serious vibe with subtle satire, aside from some of the commercials like the one of soldiers giving kids guns. In Helldivers 2 the intro video shows that bugs are killing civilians, which could be true or could be purely propaganda. But yea, anyone who doesn’t understand that Helldivers 2 is satirical is a fucking idiot. It all makes fun of militaristic imperialism, you can literally name your ship “King of Democracy”.
Are you sure it was the bugs that launched the meteor
As per the lore of Starship Troopers, yes I’m sure. There is no evidence even slightly that it was done by humans in that universe. On the other hand, in Helldivers 2 the intro video is clearly staged and prerecorded produced by the “Ministry of Truth” with the statement “scenes like these are happening all over the galaxy” making it clear that it was a staged video.
https://starshiptroopers.fandom.com/wiki/Bug_Meteor
The bugs in Starship Troopers even tried to send another one which was stopped:
"Later, at a certain point, the Arachnids launched a second meteor towards Earth. Fortunately for the Federation, it was destroyed by a Missile defence turret on Luna Base. The meteor would have slammed into southern Africa, possibly at Cape Town. "
So the thing is that it’s not just the movie and novels that should be taken as separate canons, it’s the first movie and everything else built off the movie that should be taken as separate, including the pre release materials.
The novel wasn’t a satire of fascism (and wasn’t fascist either, but that’s a whole other thing).
The movie was, but Verhoeven fairly famously didn’t read the book, and everyone around him knew what “due diligence” means so they did the bare minimum, so all the other material built off it has a different direction.
That said, Buenos Aires was definitely a false flag/accident in the movie.
I don’t know if you know much about space, but a small amount of energy applied to an object at a distant point can have significant implications for the trajectory of, say, an asteroid traveling through space.
We see the asteroid that hits Buenos Aires, and a Federation ship bumps into it in space.
It couldn’t possibly have been on a ballistic path to take out Buenos Aires, that bump would have made it miss.
But, okay, maybe it was just lobbed in Earth’s general direction, and that was just a tragic accident? (This is what the supplementary material goes with btw)
With what technology?
The bugs in the movie show absolutely zero technological use. Not one bit.
These are the questions Verhoeven wanted you asking. They’re also the ones every other bit of material ignores, despite the clear criticism (if not actually fair to source) laid out by the movie.
That said, Buenos Aires was definitely a false flag/accident in the movie.
Not true.
With what technology?
https://starshiptroopers.fandom.com/wiki/Plasma#Arachnids
Not replying after this as to not waste my time.
Well, I can’t say I’m surprised to find someone going to bat for the movie Federation despite everything in the gaming sub.
Got any opinions on how Caesar’s Legion is the only hope for New Vegas?
Got any opinions on how Caesar’s Legion is the only hope for New Vegas?
There was actually supposed to be lore backing that up, and making the decision more complicated that “NCR good, legion bad” but they ran out of development time
🤢
Also, btw, the game wasn’t “NCR good.”
They’re an openly genocidal republic beset with corruption and slavery with extra steps.
It’s almost like they were a deliberate mirror of America in the Westward Expansion/Pre Civil War era…
But they had the coolest uniform, and that’s ultimately what people care about.
"I want to make a movie so painfully obvious in its satire that everyone who understands it lives in perpetual psychological torment inflicted on them by all the people who don’t.”
Wellcome to the post-internet era, where u can no longer tell if that obviously idiotic argument was written by a bot, a troll, your average right-winger or a twitter justice warrior.
Idiocracy was satire, but it turned into a documentary. Sadly they were too optimistic and their leaders listened to smart people unlike ours.
It was also kind of like,really pro-eugenics.
